REELS
BIO
I'm a London based Visual Effects Supervisor with over 25 years of experience in visual effects and CG, spanning episodic television, film and high end commercials.
Since 2017, I’ve been a VFX Supervisor at Jellyfish Pictures, leading ground breaking work on productions such as Amazon Prime’s The Rig, HBO’s The Nevers, and Nautilus, for which Jellyfish delivered over 950 shots ahead of its 2024 release.
With extensive on-set experience and a collaborative approach to working with directors and DOPs, I bring both a camera conscious and animator’s perspective to CGI balancing technical innovation with the grounded realism of live action cinematography. Known for precision, creative problem solving, and clear communication, I’m committed to pushing creative and technical boundaries in the ever evolving world of visual effects.
CREDITs
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Ponies (episodic) | client - Peacock | role - VFX Supervisor / On-set VFX Supervisor at Ingenuity Studios (2025)
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Nautilus (episodic) Ep 2, 3, 4, 5, 7 & 8 | client - Disney/AMC/Amazon | role - vendor VFX Supervisor at Jellyfish Pictures (2022 - 2023)
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The Rig S1 (episodic) Ep 1, 3, 4 & 6 | client- Amazon Studios | role - vendor VFX Supervisor at Jellyfish Pictures (2021-2022)
The Rig S2 (episodic) Ep 1, 2, 3, 4, 5 & 6 | client- Amazon Studios | role - vendor VFX Supervisor at Jellyfish Pictures (2023 - 2024)
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The Last Frontier (episodic) Ep3 | client - Apple TV+ | role - vendor Animation Director at Jellyfish Pictures (2024 - 2025)
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Lee (feature film) | client- Sky Original | role - vendor Associate VFX Supervisor at Jellyfish Pictures (2022 - 2023)
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The Nevers S1 (episodic) Ep 10, 11 & 12 | client- HBO | role - vendor VFX Supervisor at Jellyfish Pictures (2021 - 2022)
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Moonhaven (episodic) All Episodes | client - AMC+ | role - On-set VFX Supervisor at AMC (2021)
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Halo S1 (episodic) Ep 5 & 7 | client- Amblin/Showtime | role - On-set VFX Supervisor at Showtime Networks (2021)
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Foundation S1 (episodic) Ep 6 7 & 10 | client- Apple TV+ | role - On-set VFX Supervisor at Skydance (2020 - 2021) (Emmy Nominated for VFX in 2022)