I’m a London-based Visual Effects Supervisor with over 25 years of experience in CGI and visual effects, spanning episodic television, film, and high-end commercials. I primarily worked in commercials until 2016, building a strong foundation in fast-paced, high-quality visual storytelling.

I then went on to work as a VFX Supervisor at Jellyfish Pictures, leading high calibre work on productions such as The Rig (Amazon), The Nevers (HBO), and Nautilus (Disney), for which Jellyfish delivered over 950 shots ahead of its 2024 release. I worked alongside the client from the pitch through to the final delivery, often finding creative solutions to keep the projects within budget without losing the aesthetic intent.

I have worked as an on-set VFX Supervisor on Foundation (Apple TV), Halo (Showtime) Ponies (Peacock TV) and the Nike Fear campaign (Weiden & Kennedy). I went on to set up an in-house VFX studio at Amos Pictures, managing a team of seven artists, allowing me to work closely with the client to ensure that their creative vision was met and within budget.

With extensive on-set experience and a collaborative approach to working with directors and DOPs, I bring both a camera-conscious and animator’s perspective to CGI, balancing technical innovation with the grounded realism of live-action cinematography. Known for precision, creative problem solving, and clear communication, I’m committed to pushing creative and technical boundaries in the ever-evolving world of visual effects.